Really good
friends will stand by you, even if you should bomb on karaoke night they will
clap and cheer, though they might not ask for an encore. I usually avoid
karaoke like the plague. My singing as been described as a cross between a
syncopated Tom Waits, an atonal Bob Dylan and a collection piercing death wails
of animals in extreme pain.
I think an
event that puts my singing in perspective happened one Saturday night at the
Irish Pub in Somerdale NJ. The pub itself was an ancient structure built close
to the road and when the road was expanded out into a four lane highway over 60
years ago the pub was separated by less than 3 feet of sidewalk from Route 30.
Facing the highway were two large picture windows and at times it was difficult
to tell where the traffic ended and the bar began.
In that part
of Jersey there was a local Rugby league and after a weekend game they would
celebrate, commiserate or ruminate over it at the Irish Pub. There was a lot
drinking and the girlfriends of the players would often get into competitive
exhibitionism in front of the large picture windows. The idea was to see who
could stop the most traffic on Route 30. It was fun time and of course there
was there were the traditional Rugby songs. Those upbeat vulgar tunes that were
meant to be sung by a loud drunken chorus.
I was
feeling no pain on that Saturday night and joined right in and sang along. In
the middle of the second verse the whole bar dropped into an unnatural silence
and pretty much everybody was staring at me. After a couple seconds that felt
like forever, the Captain of the team finally said "hey man, you're making
our music sound ugly".
I was a
little indignant and wanted to ask how the hell that was possible? My friend
Tom the Collector of Everything could instinctively sense potential problems,
he turned me "here, I'll buy another drink, just sit this one out".
The peace
was kept and the Rugby team went back to their song. We all got back to the
business at hand, which was having a good time.
Do you ever
feel they don't write songs like they use to? If you listen to a collection of Top 40 hit
songs from the 1950' and 1960's most of those tunes are perky three minute
ditties. A study conducted by psychologist E Glenn Schellenburg and sociologist
Christian Von Scheve concluded that popular music since 1965 has gotten
progressively sadder and slower. More and more hit songs are now written in the
sadder sounding minor keys with lyrics that are "self-focused",
"emotionally ambiguous" with "mixed emotional cues".
It could be
just another sign that we live in the age of irony. I know too many people
suffering through what looks like a mid-life crises except they are half my age
or younger. They'll tell me how their childhood sucked, how they're not ready
for adulthood and several of them are in the middle of breaking up the
"starter marriage". The soundtrack of their lives ranges from
confessional ballads to screaming rage.
I wonder if
my pitiful and plaintive singing voice has finally found its time. In a way
that's very sad, I hate to think of entire generations that don't have a few
happy and pleasant songs to call their own. Maybe my younger friends don't see
happiness as right. They see it as small nuggets that are found after sifting
through a mountain crap. That happiness and sincerity have become things they
both mock and long for. It's troubling to think that sadness is so prevalent that becomes the only authentic sound.
Here's one song that could be the anthem of the minor key.
The Butthole Suffers have been around for over 25 years but are still going strong just beyond the reach of commercial mega success.
Eilen Jewell is one of those performers that may never get her day in the spotlight but her music is tight.
The Butthole Suffers have been around for over 25 years but are still going strong just beyond the reach of commercial mega success.
Eilen Jewell is one of those performers that may never get her day in the spotlight but her music is tight.
I never really followed the Grammys, it always seemed the wrong be people got the big awards. Kimbra won for Best Pop Duo for her song with Gotye, Somebody That I Use To Know.
That song is okay but some of her solo stuff is so much more interesting, though none of it light and bubbly.
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